already this season ending "Speed \u200b\u200bPainting" or outdoor painting (I prefer this term). The Truly, this year I have not attended too many competitions, including one thing and another, but if I participated in a handful of them. Experience as always good, I still say it's the best school possible for painting as such. I have seen very good works, ideas and new things to admire, to see the usual companions and enjoy what I like,,,, paint. (Good and fun.)
Critical to these contests, if, as always, there are judges and juries, but that as always is the snake biting its tail, (which is lucky whiting)
. Criticism Important: Two of the contests more important, both participants and endowment, although I have liked some of the awards, including friends of mine (as Ramon in retirement, Agullo in brown, etc ...).
I mean the attitude of the jury and the organizers in contests pardo.Se removal and happen to be in both competitions, the jury is almost identical, and equally unfortunate how they act. Some "gentlemen" of "prestige" that walk down the center aisles where the tables are ready, talking among themselves, failing to observe many of the works presented as a dialogue go on other tasks, and with little closer to them; as they believe the best catwalk models, some (I think this infumable) with its latest model sunglasses, are not able to remove or even to look at the entries. They feel important, walking in the middle of the square, like any bullfighter, and their work is necessary, analysis of the works presented, but not from the middle of the ring lords, which some are very old and I doubt its visual acuity ... Equally
bullshit sovereign, is to go with a little camera fotossss ,,,,,,,,,,,,, or artists are given an impressive early start (some come from far away) to be in first hour in the event, these 2 certamentes are those in which the execution time is usually shorter for the artist, which is going against rejoj artist trying to master both the box as the maximum time available,,,, with what that entails is ,,,,, and after much effort, dreams, etc,,,, go and make you a fucking picture and see the pictures (or rather its poor reproduction) to guard (must be because many are older)! With how well he appreciates the quality of work in a photo shot with swiftly and without resources!. This is scrotumtightening, I propose to me next year at least leave a camera to the artists, so they try to make the best possible reproduction, as these people do not take into account either glare or shadows, or anything, just throw a photo and then look inside, and what happens if fu move out ??,,,, picture have come shine?, this over-exposed?,,, that's all the same, they are there to be able to wander, boast of their "prestige" and more, frankly I've come to the conclusion that unless any member (1 or 2 as long) of these 2 contests that I'm talking about, not to go as jurors, because no judge, no value, no look,,, that if flawlessly .,,,,,,,, clothes,,, their fuses (they and them) the latest trends,,, your fucking sunglasses, and his joke ..
REALLY HARD TO MAKE A CHOICE AND SEPARATE PICTURES AT 40 OR 50?? It is best to assess the works carried out to assess these bad photos? I would like ask the painters of repute ", if when making a reproduction of his work, a photo come and pull as fast as they do when they are the jury? Remember that you are there to review and evaluate the work of hundreds of painters, and that each and every one of them deserves respect and that the focus is not you, if not the artists with their works.
I have come to the conclusion that being RECOGNIZED, or even be painted well, no reason to understand painting.
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